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Stooges?
Velvets? Stones? Close and compared to any of these bands (their
favourites included also Cramps, MC5 and Suicide), Spacemen 3 were
one of the most revolutionary UK guitar bands, whose influence is
still being felt today -and whose reputation as one of the leading
innovators of the alternative scene keeps growing.
The SP3 saga is
that of a band who gave up when they were just gaining international
success, with a wide recognition in UK (NME: “What we are
dealing with here – and no other word will do – is a
miracle.”) and a cult-status in the American underground.
Their perfectly integrated mixture
of trippy pop, spaced-out poetry, acoustic romance and mind-boggling
guitar devastation made them one of the most influential, mind-altering
bands of the late 80’s. With the band’s two leaders,
Jason Pierce and Peter Kember (aka Sonic BoOm), currently enjoying
levels of critical and commercial success (via Spiritualized and
Experimental Audio Research, respectively), and the whole SP3 catalog
being reissued these days, it’s a good time to review the
musical history and legacy of this inspirational outfit, disbanded
in 1990 after leaving milestones such as 1987’s “The
Perfect Prescription”.
So this compilation is of great
interest both for any fan -you will understand, enjoy and discover
the answers to many of the questions the SP3’s music asked-
or newcomer -being an amazing selection of the best music produced
in the last 30 years-. THIS IS WHAT SONIC BOOM CONSIDERS
AS THE MAIN INFLUENCES FOR THE SOUND OF SPACEMEN 3, THE
“ROOTS” TO THAT AMAZINGLY RICH MUSICAL TREE. And they
were truly eclectics: here you can find ANYTHING from the rural
folk-blues of LIGHTNING HOPKINS or JESSE MAE HEMPHIL to the gospel
of THE STAPLE SINGERS (whose “Last Time” was likely
to be a major influence in Jagger/Richards‘ own “Last
Time”), from exotica (Xavier Cugat!!), to Sun Ra’s “Cozmic
Blues”...
Plus, ultra-rare English Freakbeat
such as The Syndicats -YES’ Steve Howe’s first band,
with a huge liking for the feedback of Pete Townshend-, LA psychedelic
surf from the Beach Boys-influenced Fantastic Baggies, and first-generation
electronic music acts such as WHITE NOISE, or even Detroit High
Energy Rock (MC5 with a rare “Rambling Rose” alive at
the studio)...
And some unclassifiable acts such
as DANIEL JOHNSTON, the mysterious HONOLULU MOUNTAIN DAFFODILS,
or ROLF HARRIS, whose 1960’s song “Sun Arise”
re-enacts the chants from the Australian aborigines... And many,
MANY surprises (including a Christmas carol!). Search deep and enjoy
with the music wisdom of Sonic Boom and find the roots to SP3’s
musical enlightment!
Spacelines - song by song - album
notes by SONIC BOOM
This May Be The Last Time - The Staples
Singers
This Gospel gem, I believe written by Bobby Womack, is obviously
the root of the Stones hit from '65. Pop Staples remains for me
the greatest unsung guitar player. Forget all the Afro '70's late
stuff, go for all those classic pre-66 sides -Vee-jay stuff especially...
and that 'GREAT DAY' Fantasy recds release.....
You Don't Care - Bo Diddley
Bo Diddley - born Elias McDaniels - afore adopting his pseudonym
- based on an old Delta instrument called a Diddley Bo - basically,
two nails 2 ft apart on a door-frame, plucked at one end + "bowed"
with a bottleneck at the other.
Anyhow - this guy invented more genres than anyone - ever. Scary...
This classic from his amazing '50's sessions that somehow brings
Africa to Chicago by way of the Delta in one foul tremelo rich swoop.
This track is really called You dont love me -sorry typo...
Sun Arise - Rolf Harris
This was a hit in the UK circa '62. Rolf went on to much fame as
an ex-pat Aussie kids programme entertainer here , but this stunning
one chord wonder -Rolf imitates Digeridoo -tho' he can play it,
to great effect. Unfortunately his other "songs” were
kiddie-turkeys... Presumably based on an old Aboriginal folk song.
I think it captures so much mood and emotion it deserves a wider
audience.
Transparent Radiation - The Red Crayola
Possibly the greatest Psychedelic band ever, almost certainly one
of the first to truly understand it and take it somewhere.
This version is the demo Mayo Thompson recorded pre-Parable of Arable
Land , and is the version I and Spacemen 3 usually covered .One
of the most amazing lyrics and chord progressions ever .What more
can I say -this is it!
Angels + Demons - Sun Ra
This is a genius vintage live SUN RA track from their early '60's
Chicago club stint . This makes my spine tingle and my feet shuffle
every time i hear it. Taken from the Amazing full length CD on Atavistic
Records (Chicago), it sees Sun Ra at his best -this is what made
him the legend he is.
Buy the LP!
side b
I'm So Glad You Don't Know what's On my mind - SheWolf /Jesse Mae
Hemphill
I believe she’s from Tate County -anyways -somewhere in the
muddy ol' delta. This song is my idea of the blues. Jim Dickinson
has long been a part of this whole scene, and this piece comes from
a compilation lp done by Tav Falco -One of Dickinson's sidekicks,
back in the Eighties.
God bless 'em all. Respect.
Needed Time - Lightnin' Hopkins
Houston's genius bluesman here, on a recording over 50 years old,
which makes me cry almost every listen shows Lightnin' lettin a
little religion and gospel shine thru his massive oeuvre of work.
Look out for the great stuff he did on the International Artists
Compilation I.A.13 back in the late '70's. Plus the I.A. LP backed
by 3 Elevators...
Please Stay - Cryin' Shames
Joe Meek's last hit, and one of his saddest. Shortly before splattering
his brains across his Holloway rd., London studio, he allegedly
berated this poor singer into this performance.Whatever, it's stellar.
I believe the Drifters had the USA hit, but for me the magic in
this record is un-equalled on any other version.
Stay - Maurice Williams and the Zodiacs
What can I say. One of the greatest R+B tracks ever. The soundtrack
to a million nights of passion. One of my all time favourites of
its era. I wanna dance everytime I hear it. This is the sort of
sentiment I wanna hear more on records...
She's Coming Home - The Wailers
Not Jamaica's giants, but the Pacific Northwest's compadres of The
Galaxies and The Sonics on the Etiquette label.
This is one of my favourite Christmas songs ever -along with a song
Dean Wareham turned me on to called Little Toy Trains... and of
course that marvellous version of Little Drummer Boy by the Harry
Simeone Chorale The Etiquette XMAS lp this came from is well worth
sounding out as it also features the Sonics’ Santa Claus masterpiece.
To coin a Robyn Hitchcock phrase... Viva Viva Viva Viva Viva Viva
SeaTac -they got the best coffee + computers + smack ... No fool
that Hitchcock... haha
side c
I Can't Let Go - Evie Sands
This superb song was written by Chip Taylor of Wild Thing and Anyway
That You Want Me fame.I believe Evie mighta done his demos... This
song is so much better than the Hollies’ insipid hit it's
almost a differant track.I used part of the middle 8 of the song
to create How You Satisfy Me for SPECTRUM , but here you get the
real deal in all its glory.
Crawdaddy Simone - The Syndicats
Again, a Joe Meek classic from his last couple of years - 'circa
65 on this track I think. I believe one of these guys ended up in
Yes or summit , whatever , here is the meanest , coolest English
Freakbeat around (like US garage punk, but earlier ) Bomp’s
c.d.'s of UK Freakbeat are well worth searching out. This song has
elements of Rave-up , punk , R+B, Blues -and all sounding punk as
fuck... Enjoy.
Elevator Operator - The Rays
Elevator Operator is from the early 50's and it packs so much power,
lift and humour into 2 minutes 30, that i'm constantly amazed by
it. This vocal based group are so powerful , they practically invent
psyche 30 years too soon.This record was a longstay on the jukebox
at Liverpool's legendary jukebox. A 70's compilation called Jukebox
at Eric's is well worth seeking. Solid gold.
Perfidia - Xavier Cugat
One of the most beautifull songs ever. Xavier Cugat has long performed
genius versions of this standard, but this 1950's, almost Lounge-style
version of it instrumentallydone, is enchanting. If you know The
Tide Is High -you'll be hit by deja-vu. An alltime favourite. Priceless.
Cugat, my respect.
It Was I - The Fantastic Baggies
One of the also-ran surf bands from California ... Perhaps most
famous for their proto-punk Anywhere The Girls Are -on Bomp's vinyl
Surf compilation in the '80's. This song however is more introspective,
and a real feat of excellence. It's almost Everly Brothers-like
harmonies transport you straight to that summer, with those people...
Priceless.
Firebird - The White Noise
A long overlooked classic . White Noise were, along with Silver
Apples, the first fully electronic bands. This track, written in
'67 by the late Delia Derbyshire, sung by John Whitman + with David
Vorhaus accompanying Delia on electronics remains one of the most
enchanting pop songs from that era where it seemed ANYTHING might
happen. Delia did much more work, mainly for the BBC Radiophonic
workshop -check out the Rephlex vinyl LP for some delights... Her
work is fascinating + varied.
side d
True Love Will Find You In The End - Daniel Johnston
One of the greatest singer songwriters of the last 2 decades or
so. This song, also covered by SPECTRUM, is Daniel Johnston at his
most open. You can practically feel the blood running down his sleeve...
It's hard to say anything more than please find his '80's lp's -the
early ones...
Just One Time - Juicy Lucy
Unfortunately , this is probably their only good song -but what
a song.
Spacemen 3 re-worked this as MARY-ANNE, but here we have the original
from the early '70's. Glen Cambell -the genius lap steel player
from The Misunderstood -an amazing band -comes up trumps here. It
almost sounds like some WE WILL FALL type IGGY/Stooges out-take.
The mood on this is tangible. A piece of genius.
I Take It That We're Through - The Riot Squad
One of Joe Meeks last recordings , with the unique Riot Squad. As
well as having Mitch Mitchel, pre-Hendrix, on drums, this recording
belies the myth that all Meek's recordings were muddy. The crazy
eastern double-tracked guitar, weird organ, strange vocals are nothing
if not a tribute to the fact that Joe had ears. Interesting title
for one of his final works.........
Psychic Hitlist Number 8 - Honolulu Mountain Daffodils
Whether they're from Mars or Hawaii , these guys are amazing. I
believe they did 2 LPs, but I never saw them. This record is just
pure non-stop power pop -like early Hawkwind meets Kraftwerk. Jeesus...
Witchdoctor - John Mayal's Bluesbreakers
A searing piece of blues from the late '60s.
I'm informed this is '65 era Clapton at his rare best? It originally
came out on Andrew Loog Oldham's Immediate label.A label worth exploring
with Reaction - dont even mention "waltz for a Pig " ,
by the Graham Bond Organisation...
Not much to say about this, other than i love it...
Ramblin' Rose - The MC5
This is one of the tightest heaviest bands ever. This rare version
is devastating. The break near the end is skull crushing. Words
fail me how insipid bands like Led Zep could steal their image +
ideas -but still be shit?
What’s that about...
SONIC BOOM
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1-
This may be the last time - Staples Singers
2- You dont care - Bo Diddley
3- Sun Arise - Rolf Harris
4- Transparent radiation - Red Crayola
5- Angels + Devils - Sun Ra
6- Denomination blues -
Washington Phillips
7- I'm so glad - Jesse Mae Hemphill
8- Needed Time - Lightning Hopkins
9- Please Stay - The Cryin' Shames
10- She’s Coming Home – Wailers
11- Stay - The Zodiacs
12- Can’t Let Go -
Evie Sands
13- Crawdaddy Simone - Syndicats
14- Elevator Operator - The Rays
15- Perfidia - Xavier Cugat
16- It was I - Fantastic Baggies
17- Firebird - The White Noise
18- True love will find
you in the end - Daniel Johnston
19- Just one time - Juicy Lucy
20- I take it that were thru - The Riot Squad
21- Psychic hitlist victim no 8 - Honolulu Mountain Daffodils
22- Witchdoctor - John Mayall
23- Ramblin’ Rose - MC5


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